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January, 2009 Monthly archive

An on-going beef Michael Arrington has with me is that I am often “hostile” towards TechCrunch. (his words)

For my part, I feel I am not so much ‘hostile’ towards TechCrunch but more ‘holding to account’ of it’s activities. With my media background I find myself doing that with all media outlets that I consume from blogs through to mainstream media.

However, where deserved criticism is highlighted so should deserved praise – and I’d like to take a moment to highlight the excellent piece of reportage posted today on the site by Mike Butcher: A Year Later, AOL Is Contemplating A Bebo Sale. Mike Butcher also serves as editor of TechCrunch UK, of course.

Clearly there is a lot going on behind the scenes at AOL around it’s somewhat ill-judged acquisition of Bebo – emphasis being behind the scenes. However through some great working of his contact network not only has Mike Butcher been able corroborate the rumor that Bebo might be for sale but also pulled together some fantastic analysis of what went on before the sale that led AOL to agree the purchase.

I don’t bash TechCrunch to be jerk, I bash TechCrunch because most of the stories these days seem to have become toothless startup reviews or the puffing of ‘announcements’ (which read between the lines as simply lines fed to Arrington during last night’s drinks with a VC/similar who has a product to push or a gripe to air).

Good quality analysis or reaction to said information has been sorely lacking on TechCrunch since Marshal Kirkpatrick left.

What I like here is that Mike Butcher has taken the time to provide analysis on top of the fact-checked lead. It’s great stuff, and I would love to see TechCrunch publishing more of these longer form pieces.

Some of us don’t have ADD and can actually read through 10 minutes worth of text with the aim of finding out what’s really going on behind an announcement.

UPDATE: Hours after writing this piece, news emerged that Michael was assaulted yesterday at the DLD conference. He also revealed that during 2008, threats to kill were made towards both himself and his family. I want to stress that while I allude to some of my differences with Michael, they are of course only professional. I want to make it clear I am as shocked and disappointed as everyone else with today’s news, wouldn’t wish this kind of despicable behavior on anyone.

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Twhirl logo

Last week we launched a totally new version of the Seesmic website – with a much improved interface on the front end that builds upon 2008′s rewrite of the back-end. The new has version got some great reviews and I know the whole team is very pleased with the positive feedback it’s received. Do check it out if you haven’t tried Seesmic recently.

This week our concentration has moved to Twhirl, our Twitter (+ Seesmic, FriendFeed and Identi.Ca) client we produce. Once again there’s lots of buzz around some exciting new features in the forthcoming version, including:

  • The gathering under the “replies tab” of all tweets that include @yourusername, not just when it’s added at the start of a tweet
  • Ping.fm integration that posts your status messages from Twhirl to Facebook, MySpace, LinkedIn, WordPress and a other sites
  • One-click recording of new and reply Seesmic videos straight from Twhirl
  • Saved search, to keep across the discussion of your favorite terms across the twittersphere
  • More url shortening providers, including bit.ly and more

I’ve been using the beta version of Twhirl for a few days now and I have to say it’s excellent. We’ll be releasing the new version of Twhirl soon, but in the meantime you can get immediate access to the preview version by joining our brand new beta test group called “Team Seesmic-Twhirl”.

You can find out more, including where to sign up, on Loic’s blog.

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I think it’s a very interesting and exciting move for Flickr to partner up with Getty Images to provide a stock photography avenue for it’s members.

However, according to the Getty Images FAQ participation in the Getty Images stock program requires you to move your Creative Commons licensed images back under full copyright.

That’s odd, because not only does it go against the notion that Creative Commons Non-Commercial Use still reserves the work owner full rights for commercial use, but you can’t actually revoke a work away from it’s Creative Commons license once it has been made public.

Let’s look at this in some more depth. First off, the ‘fine print’ from the FAQ:

Can I sell my Creative Commons-licensed content?

There is a chance one of your Creative Commons-licensed photos may catch the eye of a perceptive Getty Images editor. You are welcome to upload these photos into the Flickr collection on Getty Images, but you are contractually obliged to reserve all rights to sale for your work sold via Getty Images. If you proceed with your submission, switching your license to All Rights Reserved (on Flickr) will happen automatically.

If you’re not cool with that, that’s totally cool. It just means that particular photo will need to stay out of the Flickr collection on Getty Images.

(emphasis mine)

Implying Creative Commons is bad for business

What I don’t understand is that, assuming you are offering your photos under a Creative Commons Non-Commercial Use license (aka ‘CC-NC’, which is the most popular and usual CC license option), there is nothing that I can see that is incompatible with Getty Images selling your work commercially while it also remains under a CC-NC license. After all, CC-NC means that you still reserve full rights for the use of the work in a commercial setting. In fact, I know this very use-case is built into CC-NC.

I would have thought that 100% of Getty’s customers would fall outside of the non-commercial use and as such there is no loss or detriment Getty (or the photographer) if they keep their work under CC-NC while Getty sells their work under separate commercial license.

Creative Commons is perpetual

…ie you can’t reroke it. Flickr offers it’s members to license their photos under Creative Commons 2.0 license, which says:

7. Termination

2. Subject to the above terms and conditions, the license granted here is perpetual (for the duration of the applicable copyright in the Work). Notwithstanding the above, Licensor reserves the right to release the Work under different license terms or to stop distributing the Work at any time; provided, however that any such election will not serve to withdraw this License (or any other license that has been, or is required to be, granted under the terms of this License), and this License will continue in full force and effect unless terminated as stated above.

(emphasis mine)

Which means that you can license the work under another license(s), but you can’t revoke the CC license for the length of time the work remains under copyright (usually 50 years, but varies based on jurisdiction and type of work) unless you totally remove the work from the public domain – ie stop distributing it.

So technically, Getty can’t have you bring your photograph back under full rights reserved copyright if you have been distributing under CC before.

Why this matters

This issue concerns me because I put almost* all of my photographs under Creative Commons Non Commercial Use license (I tend not to release identifiable photos of other people under CC for privacy reasons). Part of the reason for doing that is because I’m a big proponent of the notion that CC’ing work is commercially positive because it increases the distribution of your work. That means more people see your work; which leads to a greater chance of someone wanting to buy the work/license of the work for commercial use or commissioning you to do some photography commercially for them.

And Flickr has been a big proponent of that too.

Getty pushing Flickr (and/or parent Yahoo!) into an agreement that binds it’s members to move their photos back into full copyright in order for them to participate with this program is a slur towards that mantra.

I don’t believe Getty actually needs to worry about CC eating into it’s business but clearly Flickr were unable or unwilling to persuade them otherwise. I find that bit perhaps most disappointing of all; I thought Flickr were defenders of Creative Commons – clearly not.

I very much hope the otherwise great people at Flickr come back to the community with an official response to this issue. In the meantime, I hope photographers who, like me, believe in Creative Commons, will make their feelings known to Getty and Flickr by choosing not to participate in this program until these issues are addressed.

Update: I’ve asked Flickr for comment on this issue on the Getty Images Flickr Group (sadly there is no comment option on the Flickr Blog)

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